SynCut lives inside your editor. It reads the cut points you already made, builds a beat profile of your edit, then scores a catalog of tracks licensed for commercial use to find the ones that land on your cuts.
It reads your timeline markers and cut points automatically — no exporting, no leaving your workflow.
The engine analyzes every cut, accent, and tempo shift, then searches a growing catalog of tracks licensed for commercial use for music whose beats land on yours.
Hear each match synced to your timeline. Pick one — or send a shortlist link so the client chooses themselves.
No exporting, no leaving your timeline. Here's the path from the edit you made to a ranked set of tracks that fit it.
SynCut pulls the edit points and markers straight from your timeline — every hard cut, transition, and beat you placed by hand. Nothing to export.
Those cut points become a rhythmic fingerprint of your edit: where the hits land, how the energy rises and falls, and the tempo you cut to.
Each candidate track is graded against your profile — beat alignment, tempo fit, accent and section structure, key compatibility, and more.
You get a ranked shortlist whose beats land on the cuts you already made — best fit first, each one previewable against your own timeline.
Patent Pending — U.S. Provisional App. No. 64/049,269
SynCut's per-cut matching and feedback-driven ranking are the subject of a U.S. provisional patent application.
Free while it is in beta, in DaVinci Resolve and Premiere Pro on Mac.
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