Music that matches the cut you already made.

Commercial editors cut to music. Every transition, every accent, every hit is timed to a track — and then a client asks for a different song the day before delivery. The old answers were bad ones: re-cut the edit from scratch, or gamble on a track whose license you never actually read.

SynCut takes a different path. It reads the cut points you already made, builds a beat profile of your edit, and finds tracks released for commercial use whose beats land on those same cuts — so you swap the song without touching the timeline. Every result shows its license, so you know what you're shipping before you ship it.

We build for working commercial editors and small studios — the people billing for client work. That focus is the whole point.

Built for editors, by editors.